
Rabindranath was an efficient actor and a director too. Rathindranath wrote that in 1902, they staged "Bisarjan". At that time they had no stage, no dresses nor any other equipments. We had mae up of all such drawbacks by only our will. The no. of students were also small. There were only Santosh Majumdar, nayanmohan Chattopadhyay ( second son of Manimohan son in law of Dwijendranath) and himself. These three persons were the organisors, sponsorer and actors. The entrance examination was knocking at the door but the Reharshal was going on. Being afrid our teachers complained to Rabindranath . But Rabindranath did not listened to their complain.
Rathindranath wrote in his autobiography that 'H-CH-H' (Harish Chandra Halder) had drawn the 'Scene'
of the dramma 'Bisarjan'.
There was no hall for staging dramma. In the dinning hall, at the back side of the school building, the stage had been prepared with the help of some wooden platform. Some platforms were placed vertically on its legs for hanging the 'scene' with the help of nails. Rathindranath said that they had done all these childish affairs but still the performnce was good. Nayan played well in the role of Nakshatra Manikya, the role of Raghupati was played by Jagadananda Babu. At this Rabindranath understood that he was one amongst a lakh and from then he became an essential actor for every dramma when staged. Though there was no mention in the 'Smriti Katha' written by Jagadananda Roy. Rathindranath said that Nayan's acting was splendid. His mamannerism in the soliloquy was perfect of its kind.After few days it was again staged on 1903.