W.B.Yeats wanted to see Rabindranath not only for editing Gitanjali but also for his personal reasons.
He wrote Rabindranath on 25th July;
"Could you dine or lunch here on Tuesday next? I can get Iseult Gonne. I want her to meet you for her sake as I think her the start of a strong personality and a very beautiful woman and now that she is young and plastic is the time to help her.Madam Gonne is anxious for this meeting. I have never met a girl so full of talent...
If your time is too taken up just now to come to lunch or dinner I could, if you would let me, bring Iseult to call on you for a half our one afternoon. You will like. She is one of the most beautiful creatures in the world, aged 19 and has read all Flaubert and I hope she is dreaming of learning Bengali, I have known her since childhood."
Yeats is one of the few writers whose greatest works were written after the award of the Nobel Prize. Whereas he received the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), made him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the Maud Gonne
In 1889, Yeats met Maud Gonne, then a 23-year-old heiress and ardent Nationalist. Gonne was eighteen months younger than Yeats and later claimed she met the poet as a "paint-stained art student." Gonne had admired "The Isle of Statues" and sought out his acquaintance. Yeats developed an obsessive infatuation with her beauty and outspoken manner, and she was to have a significant and lasting effect on his poetry and his life thereafter.
In later years he admitted "it seems to me that she [Gonne] brought into my life those days—for as yet I saw only what lay upon the surface—the middle of the tint, a sound as of a Burmese gong, an over-powering tumult that had yet many pleasant secondary notes." Yeats' love initially remained unrequited, in part due to his reluctance to participate in her nationalist activism.
His only other love affair during this period was with Olivia Shakespear, whom he had first met in 1896, and parted with one year later. In 1891, he visited Gonne in Ireland and proposed marriage, but was rejected. He later admitted that from that point "the troubling of my life began". Yeats proposed to Gonne three more times: in 1899, 1900 and 1901. She refused each proposal, and in 1903, to his horror, married the Irish nationalist Major John MacBride.
There were two main reasons why Yeats was so horrified. To lose his muse to another made him look silly before the public. Yeats naturally hated MacBride and continually sought to deride and demean him both in his letters and his poetry. The second reason Yeats was horrified was linked to the fact of Maud's conversion to Catholicism, which Yeats despised. He thought his muse would come under the influence of the priests and do their bidding. The marriage, as forecast by both their sets of friends and relations was an early disaster. This pleased Yeats as Maud began to visit him in London. After the birth of her son, Seán MacBride, in 1904, she and MacBride agreed to end the marriage, although they were unable to agree on the child's welfare. Despite the use of intermediaries, a divorce case ensued in Paris in 1905. Maud made a series of allegations against her husband with Yeats as her main 'second' though he did not attend court or travel to France. A divorce was not granted as the only accusation that held up in court was that MacBride had been drunk once during the marriage. A separation was granted with Maud having custody of the baby with John having visiting rights. Yeats' friendship with Gonne persisted, and, in Paris, in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul."The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been: "I have prayed so hard to have all earthly desire taken from my love for you and dearest, loving you as I do, I have prayed and I am praying still that the bodily desire for me may be taken from you too." By January 1909, Gonne was sending Yeats letters praising the advantage given to artists who abstain from sex. Nearly twenty years later, Yeats recalled the night with Gonne in his poem "A Man Young and Old":hubbub of modern life.
He wrote Rabindranath on 25th July;
"Could you dine or lunch here on Tuesday next? I can get Iseult Gonne. I want her to meet you for her sake as I think her the start of a strong personality and a very beautiful woman and now that she is young and plastic is the time to help her.Madam Gonne is anxious for this meeting. I have never met a girl so full of talent...
If your time is too taken up just now to come to lunch or dinner I could, if you would let me, bring Iseult to call on you for a half our one afternoon. You will like. She is one of the most beautiful creatures in the world, aged 19 and has read all Flaubert and I hope she is dreaming of learning Bengali, I have known her since childhood."
Yeats is one of the few writers whose greatest works were written after the award of the Nobel Prize. Whereas he received the Prize chiefly for his dramatic works, his significance today rests on his lyric achievement. His poetry, especially the volumes The Wild Swans at Coole (1919), Michael Robartes and the Dancer (1921), The Tower (1928), The Winding Stair and Other Poems (1933), and Last Poems and Plays (1940), made him one of the outstanding and most influential twentieth-century poets writing in English. His recurrent themes are the contrast of art and life, masks, cyclical theories of life (the symbol of the winding stairs), and the ideal of beauty and ceremony contrasting with the Maud Gonne
In 1889, Yeats met Maud Gonne, then a 23-year-old heiress and ardent Nationalist. Gonne was eighteen months younger than Yeats and later claimed she met the poet as a "paint-stained art student." Gonne had admired "The Isle of Statues" and sought out his acquaintance. Yeats developed an obsessive infatuation with her beauty and outspoken manner, and she was to have a significant and lasting effect on his poetry and his life thereafter.
In later years he admitted "it seems to me that she [Gonne] brought into my life those days—for as yet I saw only what lay upon the surface—the middle of the tint, a sound as of a Burmese gong, an over-powering tumult that had yet many pleasant secondary notes." Yeats' love initially remained unrequited, in part due to his reluctance to participate in her nationalist activism.
His only other love affair during this period was with Olivia Shakespear, whom he had first met in 1896, and parted with one year later. In 1891, he visited Gonne in Ireland and proposed marriage, but was rejected. He later admitted that from that point "the troubling of my life began". Yeats proposed to Gonne three more times: in 1899, 1900 and 1901. She refused each proposal, and in 1903, to his horror, married the Irish nationalist Major John MacBride.
There were two main reasons why Yeats was so horrified. To lose his muse to another made him look silly before the public. Yeats naturally hated MacBride and continually sought to deride and demean him both in his letters and his poetry. The second reason Yeats was horrified was linked to the fact of Maud's conversion to Catholicism, which Yeats despised. He thought his muse would come under the influence of the priests and do their bidding. The marriage, as forecast by both their sets of friends and relations was an early disaster. This pleased Yeats as Maud began to visit him in London. After the birth of her son, Seán MacBride, in 1904, she and MacBride agreed to end the marriage, although they were unable to agree on the child's welfare. Despite the use of intermediaries, a divorce case ensued in Paris in 1905. Maud made a series of allegations against her husband with Yeats as her main 'second' though he did not attend court or travel to France. A divorce was not granted as the only accusation that held up in court was that MacBride had been drunk once during the marriage. A separation was granted with Maud having custody of the baby with John having visiting rights. Yeats' friendship with Gonne persisted, and, in Paris, in 1908, they finally consummated their relationship. "The long years of fidelity rewarded at last" was how another of his lovers described the event. Yeats was less sentimental and later remarked that "the tragedy of sexual intercourse is the perpetual virginity of the soul."The relationship did not develop into a new phase after their night together, and soon afterwards Gonne wrote to the poet indicating that despite the physical consummation, they could not continue as they had been: "I have prayed so hard to have all earthly desire taken from my love for you and dearest, loving you as I do, I have prayed and I am praying still that the bodily desire for me may be taken from you too." By January 1909, Gonne was sending Yeats letters praising the advantage given to artists who abstain from sex. Nearly twenty years later, Yeats recalled the night with Gonne in his poem "A Man Young and Old":hubbub of modern life.